$30
or 4 shows for $100
This performance will take place at St. Andrew’s United Church in partnership with Debut Atlantic
From their very first album, La peste (ATMA Classique, 2020), Les Barocudas distinguished themselves through their originality. Inspired by the plague epidemics of the 17th century, this recording for three musicians (violin, viola da gamba/bass violin, and keyboards) offers a program rich in contrasts and atmospheres, acclaimed by both critics and audiences. Nominated for the JUNO and Opus Awards, the album was recognized by CBC Music as one of the best classical productions of the year.
Since then, the ensemble has expanded—incorporating recorder, organ, harpsichord, and baroque harp—and has continued its artistic trajectory with a new acclaimed album, Basta Parlare! (2023), also nominated for a JUNO Award. This recording confirms the group’s originality, its passion for the repertoires of the 17th and 18th centuries, and its ability to make this music resonate with intelligence and passion.
The performances of Les Barocudas—both in concert and on recordings—are characterized by a keen sense of musical expression, natural stage presence, and strong ensemble cohesion.
Far from static reconstructions, their performances offer a vibrant, contemporary, and generous interpretation of early music, breathing new life into forgotten Baroque treasures.
Concert Description:
When we thought of making a concert program together, we knew from the start that we wanted to focus on music from 17th-century Italy, our repertoire of choice. No further discussion was needed: we had already reached an unspoken consensus. Lovers of 17th-century Italian music share an almost spiritual je ne sais quoi which brings them together—and sets them apart. We have a tacit understanding.
But what explains the allure of this music? Why is it so remarkable, so distinct? The 17th century was a period of exploration, invention, and research across disciplines, including in music. Vocal music, which had long dominated the spotlight, began to make way for technically complex instrumental forms that better suited this new paradigm—a music centered around virtuosity and lyricism. Thus came the title of this program, Basta parlare, which means “enough said”!
It could have been named “Enough Singing”; perhaps a more suitable title, at least on the surface. However, while this concert does explore the rich instrumental repertoire of the 17th century, we are only omitting the spoken word—not lyricism itself. We simply believe that we can still sing . . . through the violin and the recorder!
